Tag: memoir

The art of distilling a life lived: A Sorrow Beyond Dreams by Peter Handke

“My mother has been dead for almost seven weeks; I had better get to work before the need to write about her, which I felt so strongly at her funeral, dies away and I fall back into the dull speechlessness with which I reacted to the news of her suicide.”

With this simply stated aspiration, Austrian writer and dramatist Peter Handke set out to capture the essence of his mother’s life and chronicle the painful spiral that swept her into a darkness which would lead her to take her own life at the age of 51. Written over two winter months in 1972, the result is a slight volume, 69 pages, that can be read in afternoon. But length can be deceiving. Tracing out a life that spanned the rise of the Nazis, the Second World War, and the austerity and suffering that followed,  A Sorrow Beyond Dreams is a spare and elegant memoir from which the reader emerges drained and aching alongside its author.

sorrowFrom the outset he admits that he is seeking an element of closure in the act of putting words to paper, but he wishes to avoid an overly sentimental account, concerned that he risks turning his mother, a real person, into a “character.” He intentionally adopts a more distanced perspective. He does not refer to her by name, and when he recounts the events of his early years he is “the child” or one of “the children”. He employs capital letters for emphasis (“she was a woman who had been ABROAD”). But there is another motive as well. He sees in her life an illustration of the social restraints that defined and limited the lives of so many women from poor rural communities such as the small Austrian village where she began and ended her life. As such he wishes to present her life story as one that is at once personal and exemplary.

The portrait he paints of his mother is one of a spirited young woman, who was denied her pleas to be allowed to continue her studies, for an education beyond the basics was not to be squandered on girls or women. So she ran away to the city to study cooking – not exactly an academic pursuit, but again the only option open for her. She thrived in her new environment: a world of new friendships, fashions, opportunity, and the heady comraderie that accompanied the rise of National Socialism.

The outbreak of war only added to the excitement as young soldiers, away from home and lonely, flooded into the city. She met and fell in love with a married man. Before long she was pregnant, but by the time her son Peter was born she had married another man. Her first romance would remain her only true experience of romantic love; what she had with her husband was a disappointing, often hostile, and very lonely existence. After the war the young family spent a few years in Berlin, living amidst the rubble. A second child is born there. (Over the years she will have two more children and secretly abort three others with knitting needles.) In 1948 they flee Germany and return to Austria, where she finds herself back in her family home, trapped again in a restricted environment, her life once more defined by the Catholic shame and guilt of village life.

Economic conditions at this time were harsh and her husband’s drinking and difficulty holding employment did not help. She responded with the only strategy available: “pure scrimping; you curtailed your needs to the point where they became vices, and then you curtailed them some more.” Necessities would be wrapped up and handed out at Christmas. As Handke recalls, “I was sincerely grateful for the most indispensable school materials and spread them out beside my bed like presents.” Yet she did not look to the possibility that life might hold more for her than housework and continually making the rounds required to keep her drunkard husband employed, creditors from the door and paperwork up to date just to assure access to the most basic benefits.

Finally, as modern appliances started to appear in her house, freeing up a little precious time, Handke’s mother took to reading. Not just the newspapers, but books he brought home from university: Fallada, Dostoyevsky, Faulkner and more. She took everything she read very personally as if each book was a commentary on her life. But by doing so she began to find the words to express herself and put voice to her experiences. As she gradually emerged from her shell, her son finally began to learn about her. However they did not give her a vision of hope for her own future, they spoke only to a past:

“Literature didn’t teach her to start thinking of herself but it showed her it was too late for that. She COULD HAVE made something of herself. Now, at the most, she gave SOME thought to herself, and now and then after shopping she would treat herself to a cup of coffee at the tavern and worry a LITTLE LESS about what people might think.”

For a while she become more engaged in the community, showed more compassion to her husband, and things might have improved but the disappointments of home life still seemed to defeat her. She began to have headaches. She started to withdraw from community life. Her spirit sagged and no one could tell her what was wrong until a neurologist in the city identified her condition as a “nervous breakdown”. With the comfort of having an explanation and medication to ease the pain, she eventually improved. There would be a respite. But in the end despair returned. In November of 1971, she wrote farewell letters to her each member of her family. Then one evening after dinner with her daughter and an evening watching TV with her youngest son, she took all of her sleeping pills and all of her antidepressants and laid down on her bed to welcome that final rest.

If Handke had imagined that in writing this account of his mother’s life he would be able to achieve some peace himself, he discovers, in the end, that that is not the case. The story continues to preoccupy him, to haunt him. Facing memories head on is an act of confronting horror but it does not ease it. The horror arises from the persistent attempt to reflect a truth. He admits that at times he longed to be able to lose himself in a fiction, to be able to tell lies for a while, write a play instead. No longer able to stay out of the frame, he closes the book with a collection of images, remembrances, and brief personal confessions.

A Sorrow Beyond Dreams is, as its subtitle indicates, a “Life Story” told with simplicity and honesty. As Handke reflects in an extended parenthetical aside almost halfway through the book, he wanted to pare his mother’s story down, to present her life with a focused clarity. He sees, in the type of project in which he is engaged, two particular challenges:

“These two dangers – the danger of merely telling what happened and the danger of a human individual becoming painlessly submerged in poetic sentences – have slowed down my writing, because in every sentence I am afraid of losing my balance. This is true of every literary effort, but especially in this case, where the facts are so overwhelming that there is hardly anything to think out.”

The result he achieves is a memoir stripped to its essentials, but delivered with stark, beautiful prose. His love comes through in every phrase as he recounts his mother’s story, and the emotions that arise as he sees her through the final rituals of her shortened life are real, complicated and raw.

*A Sorrow Beyond Dreams, translated by Ralph Manheim with an Introduction by Jeffrey Eugenides is published by Farrar, Straus and Giroux.

The right book at the right time: Just Like Someone Without Mental Illness Only More So

“There are no people anywhere who don’t have some mental illness. It all depends on where you set the bar and how hard you look. What is a myth is that we are mostly mentally well most of the time.”
– Mark Vonnegut, MD 

A couple of years ago I happened to hear an interview on CBC radio, as part of a series on mental illness. I was, at the time, of the mind that my own issues with mental illness were well managed. A present fact but a distant reality. However, something about this conversation stayed with me.

The guest was Mark Vonnegut, son of the late author Kurt Vonnegut Jr. Mark grew up in Cape Cod, in the years before his father’s writing brought fame and fortune. I listened with interest to his very personal account of how, despite diagnosis with a serious mental illness, he applied and was accepted to Harvard Medical School. He went on to become a respected pediatrician. After my breakdown this summer I debated returning to the the fine accounts, like An Unquiet Mind, that had originally guided me to an understanding of my newly acquired label. Then I remembered Mark’s memoir Just Like Someone Without a Mental Illness Only More So and within minutes it was on my Kindle. But I only decided that I really needed to read it this weekend as my symptoms and anxieties continue to persist.

7816284Mark writes in an honest and matter of fact way about the trail madness has left through his family, tracing a legacy of depression, suicide and alcoholism going back generations. His mother heard voices and received message from license plates but once the episode passed she was able to rationalize it. When Mark’s aunt and uncle died within a month of one another leaving four troubled orphans, his parents took them in even though they had neither the money nor the capacity to manage. His oddly prescient mother had been stockpiling supplies for their arrival in advance, as her helpful voices had advised.

Mark was a loner spending a lot of time fishing and playing imaginary games in the woods around his home in Cape Cod. The oldest child of the family he grew up poor in the fallout of the the Depression. His father was a ineffectual used car salesman for many years. Mark was 21 before his father became a rich and famous author seemingly overnight.

Caught up in the hippie movement of the 60s, Mark followed many of his peers to Canada to join a commune in BC. He lived off the land, contemplated the meaning of life and experimented with drugs. And that is where he first encountered his own voices. In 1971, at the age of 23 he experienced three major psychotic breaks that landed him behind the locked doors and plexiglass windows of a Vancouver hospital.

“Among the things I grew up thinking about mental illness was that it was caused by other people or society treating you badly.I also knew that once people were broken they didn’t usually get better and the ones least likely to get better were paranoid schizophrenics, which is what I seemed to be.”

Retrieved by his father, Mark returned to the US where, with ongoing treatment, he continued to recover. The voices faded to the background. He published a book about his experiences and articles advocating for an understanding of mental illness as a biochemical condition, in strong opposition to the RD Laing inspired philosophy that was popular at the time (and has recently resurfaced). Somewhere along the way he decided that he wanted to go to medical school himself. Against all odds, and with pathetic math and science marks, he applied to one school after another. Incredibly Harvard gave him a chance.

Over the years that followed, Mark dedicated himself to his studies and his internship. By this point he had recognized that he was bipolar (not a schizophrenic who responds to lithium as he had been told), but even then, the schedule of an intern is grueling. During these years he also married, bought a house and started a family. The model of normal and healthy he figured his mental health issues were history.

Then 14 years after his third psychotic break, several years into a successful pediatric practice, the voices returned to taunt him. The trigger was his realization that he was fueling his high stress schedule with a two pack a day smoking habit along with 5 or 6 beers, half a bottle of wine, a few shots of bourbon and a sleeping medication to round off the day! Hardly a surprise then that his effort to quit cold turkey should trigger a psychotic break.

Although he sensed things were falling apart he resisted seeking help in a hospital. Driven by an absolutely irrational fear planted in his head by his voices he attempted to throw himself through a third story window. The window smashed but he fell back into the room. Unfortunately he ended up in a straightjacket on a gurney in the hallway of the very hospital where he had completed his internship and taught a course.

Although my own manic resurgence following an extensive period of wellness was somewhat less dramatic than Mark Vonnegut’s, it is only a matter of degree. Yet in time he was able to return to work and it has now been more than 25 years since his last manic break. His ability to rebuild his life and career even in the face of abject humiliation is an inspiration. And I am fortunate that I have neither smoking or alcoholism to contend with. But his story stands as stark reminder that with bipolar you must take the medication that keeps you stable and monitor your own level of energy. If we become complacent we risk an unwanted replay, no matter how long we have been well.

This book was published in 2010, so It was not available when I was first coming to terms with my diagnosis. Perhaps if I had read it when I first heard the interview I might have been able to head off my more recent experience. But then again, a manic person is a slow learner because that high just feel so good. Especially in contrast to the draining and  despondent opposite end of the cycle.

I would recommend this memoir to anyone interested in mental illness, especially those who understand what it is like to experience psychosis. Its casual, relaxed style makes for an easy read but, as a practicing physician, Vonnegut has some depressing observations about the decline of health care in his own country. Most importantly though, he leaves those of us who live with mental illness with a sense that we can get better, we can stay better and if we fall, we can get up and move forward.

That is exactly what I need to remember right now.