There are eight million targets in the naked city; everyone’s wearing one: Alien by Ali Raz

I’m a coordinate, I know. I’m hunting aliens, but I’m not hunting them for me.

My last read of 2022, first review for 2023, is an otherworldly escapade from the ever inventive indie publisher, 11:11 Press. Alien by Ali Raz with its delightful vintage-style cover looks like a comic and, to be honest, with the text presented in varying-sized boxes that move across the pages, it reads rather like a comic at least until the end when the text sheds its boxes (or is unboxed) as our hero loses control of the illusion of control and everything starts to fall apart.

Unfolding as scraps of a desperate narrative, we follow an alien hunter in a city under siege as she navigates a strange, distorted and deadly terrain. A surreal game is afoot in this hellish urban landscape. Our hero knows she’s a pawn, in service of the mysterious “Syndicate,” guided by coded messages from received from poet’s radio, and viscerally attuned to the presence of a nefarious network that directs her to sites where small blue-skinned aliens might be found. Titillated and thrilled by the hunt, she does not fully understand how predetermined her movements are or how deeply she is caught in a twisted web of eccentric friends and lovers. It’s a dangerous game, but dangerous is, after all, the only kind of game in town.

The world our unnamed hero inhabits is cruel and unforgiving—gruesome, deviant, hellish and ripe with all manner of foul odors. Death is cheap, possibly even desired, haunting waking and sleeping hours alike:

Infinite openness and infinite malleability. My teeth turn to metal. I laugh with sparkling metal teeth. Like a villain, like a villain, the infinite refrain seethes in me. I roll my eyes back in their sockets, look at my brain. I wake up shivering in sweat. I sit up on my mattress, make a note in my notebook.

This is sci-fi in the capital-w-Weird sense of the genre, but painfully spare, stripped to its bare essentials and wildly poetic. Raz sketches a an extra-terrestrial reality of and not of our planet. Amid the devastation she plants select South Asian imagery—banyan trees and sugarcane juice vendors—that seems to soften the hardened, cracked and decaying apocalyptic cityscape:

The banyan tree weeps things to me. Its voice is glazed and husky.

But, be careful, one could just as easily imagine our hero strangled in a mesh of aeriel roots surrounding the trunk of a banyan tree or ground to pulp in the gears of a sugarcane vendor’s cart. No place is safe. No one can be trusted. And hearts can be broken.

Alien is a grimy futuristic noir romp, inventive in format with a sharp, poetic narrative that promises a wickedly queer adventure—and delivers.

Alien by Ali Raz is published by 11:11 Press.

Poetry as personal ad? Human Tetris by Vi Khi Nao and Ali Raz

If dating in the era of online personals and dating sites intimidates you, especially if you lack the necessary surface appeal to ensure that your desired target will be inclined to swipe right, a space that will allow you to describe succinctly a lover with the exact shape to match your own twisted shape, you might wish a network like Human Tetris really existed. If you’re sexually squeamish, you might not. But in the way that old-fashioned newspaper-printed personals provided plenty of entertainment even if you were not on the hunt, shall we say, this playful poetic collaboration that boldly satirizes aberrant desire is great fun.

Within the pages of this game-shaped book with a stubbornly neck-twisting layout, unspoken (primarily) queer longings are given voice with a healthy measure of “no boundaries” internet exhibitionism. (I’ll tell you what I want, what I really really want—and exactly what I expect you to do to realize my exceptional expectations.) Gleefully playful or painfully doleful this uncensored imaginary/imaginative collaboration between the incomparable Vi Khi Nao and the amazing Ali Raz injects a double-barrelled dose of estrogen into the—to date—male dominated catalogue of one of the most promising innovative publishing projects to arise in the past few years, 11:11 Press.

This tag team creative duo has dreamed up a collection of sometimes delightful, sometimes disturbing personal ads suffused with the hopeful desperation of a world in which we are simultaneously more connected and more isolated than ever.

Be My Beehive, Be My Boner & Clyde:

I need someone sexy to blame
for all the great things
that are happening in my awesome life.
Or, you could be ugly & and this is how it will roll: Do you want vacation
days or do want my Sundays? Do you want happiness or do you want décor
What if I offer both?
I’m beautiful and I’m happy.
I need a soulmate who aren’t either.
@hitmebabyhitthisdamnbabyrightaway

ALABAMA (where else?)

Mutated pop-culture pleasures, kinky quirks, and a plethora of identities (which honestly should almost come with a glossary—subject to change without notice, of course) rise in these poetic pleas that run down, rather than across each page. But don’t fear. It’s not all unexpected terrain. There is @papabear, a beach-loving “30-something hardworking exec” seeking his cute and totally together beach bunny for some shared mind exploring and world expanding interaction. Would a collection of personals be complete without at least one of these missives of implied perfection?

Most, however, veer off the well-trod path:

Looking for My Panadol:

curl up with me like a leaf. be my wellness dog. i’m always sick (but don’t let that scare you!)

who isn’t sick in these days of anomie? indeed, if you are perennially well—I don’t trust you.
be sick with me, let’s be sick machines.
@stickfiguresex

Soeul, South Korea

Every poem exists as an integrated unit. The content of the romantic (or unromantic) call for companionship plays against the title, avatar name, and location; the elements of each poem bounce off each other like, well, the tiles in a game of Tetris. A complete picture depends on the interaction of all these pieces.

But where do I stand? I haven’t been on a date in forty years. Since that time, as a marriage ended, there was another relationship, one that started in the time honoured fashion—introduced by a mutual acquaintance  albeit at a distance. Today I’m as uncertain about my identity as a potential partner as I am about what that imagined “other” might look like. And if years of being single accomplishes anything, it raises your standards to the point that a forty-page questionnaire might just barely suffice to guide my search.

I could write an entire book of poems myself and just crack the surface. So maybe I’ll adapt this one (substituting the cheeseburger for something vegetarian and the bar for a coffee shop).

Partner Wanted for One Date:

It’s been raining all day where I am.
It’s romantic; the rain, cool wind, winter.
I want to go for a long drive with the top down.
We’d stop at a restaurant (your choice) and have a coffee and cheeseburger each.
Then we’d watch a movie (my choice). We cuddle a little. On the way back,
before I drop you home, we stop by a bar for a single drink each.
You pay for my drink, I pay for yours. I drive you home. We never see each other again.
@hamster

Detroit, MI

Ah well, Human Tetris is a quirky jaunt over what is, in the end, a familiar space—the longing for love, and the desire to be seen, validated, and known. Open this collection with a  confident queerness and find inspiration for your next conquest; peek between the covers with a history of unrequited love and perpetual unmatchablity and discover, amid the puns and pathos of passion-starved misfits, that you are not alone.

Human Tetris by Vi Khi Nao and Ali Raz is published by 11:11 Press.