Over the past six months or so I have pursued few opportunities to write longer critical reviews for publication. In fact, I have been more interested in encouraging others to write reviews for me to publish at 3:AM Magazine. I’ve gotten out of the habit of looking to upcoming releases with an eye to what I might want to write about, especially sight unseen. Rather, I am more likely to find myself reading a book I already own and realize that I want to write about it at a greater depth than my typical blog post. But every now and then a book grabs my attention and I set out to secure an advance reader’s copy and review placement on instinct alone.
Such was the case with The Endless Summer by Danish writer and transgender performance artist, Madame Neilsen, recently released by Open Letter Books in a translation by Gaye Kynoch. I knew nothing about this book when I first saw it in an email newsletter but I confess that I was immediately intrigued by the unusual sounding author. And although I tend to tread very carefully around transgender themed writing or writers of any sort, I knew I wanted to read this book. And write about it. Endless complications in my efforts to obtain a review copy notwithstanding (it did arrive about two weeks after I submitted my finished review), I was thoroughly captivated by this lovely novel.
The story of a boy “who is perhaps a girl, but does not know it yet,” The Endless Summer is, in simple terms, an evocative requiem to that moment in life when all is possible and the harsh face of reality has not yet been confronted. I attempted to capture some of its strange and wonderful magic in my review which has just been published in the Spring 2018 edition of The Quarterly Conversation. Have a look.