Don’t let the current fashionable popularity of flash fiction deceive you—it is a form with a long history in Arab literature, an allegorical tradition to which Syrian writer and poet Osama Alomar proudly belongs. But, as an immigrant living in exile in the United States, his tightly crafted parables and short fictions have a quality that is both timeless and timely. We cannot but recognize ourselves and the world we live in today.
When the slaves reelected their executioner entirely of their own accord and without any pressure from anyone, I understood that it was still very early to be talking about democracy and human dignity.
In his most recent collection, The Teeth of the Comb & And Other Stories, Alomar employs this traditional manner of storytelling to craft pieces that range from a single sentence to a page or more. Animals and objects—man-made and natural—are often animated to take centre stage, offering philosophical reflections on life, humanity, or wondering at strangeness of the universe. His narrators and protagonists, human or otherwise, speak to sadness, loneliness, and injustice while the shadow of his troubled homeland hangs over their tales. It cannot be ignored. The futility and violence of war is a frequent theme. These pieces may read like age-old wisdoms, but their message is immediate. If they sound timeless, it is because, at the end of the day, little changes.
The Dark Side
The moon wished to punish humans for the many transgressions and frightful crimes they commit against each other and against nature. She decided to hide her lighted side so that they would curb their behavior and return to reason. And so the eclipse took place. But great was the surprise of the moon when she saw millions of people coming out of their houses to enjoy the view of her dark side.
His style is spare and unsentimental. The shortest entries have a sharp aphoristic tone, whereas the longer ones, with a wider stage on which to play out contemporary themes, are painfully heart-wrenching. “Love Letter” is a long message addressed to a woman with whom the narrator was involved. It speaks to intimacy against a backdrop of war and revolution, an intimacy that deepened even after he left the conflict zone. When her letters and emails stop he fears the worst but holds to faint hope. “The Shining Idea,” one of my favourite pieces, is a dialogue between an unconceived child and the man he hopes will give him life. The would-be child sees only the beauty and joy in the world beyond the transparent boundary that contains him. The father he beseeches knows only suffering and poverty and cannot be convinced that his is a world worth bringing another life into.
Time and again, knowledge, compassion and understanding are the ingredients most at risk, or missing altogether in the world Alomar presents us with. His weary narrators and anthropomorphic characters know this well. But, in keeping with the tradition from which he emerges (Kahlil Gibran is one of his heroes), his messages are never forced or dogmatic. They are simply laid bare for the reader to encounter:
Never Been Touched
A book sitting on the shelf with torn covers and pages filled with comments and notes in the margins said to his colleague who stood behind him, “I envy so much your freshness and your eternal youth!”
But his colleague answered him dejectedly, “I never been touched!”
With over 160 stories spreading across no more than 95 pages, one might be tempted to consume the accessible, entertaining short fictions that comprise this collection in quick succession, swallowing one after another. However, these fables, wisdoms and cautionary tales are best digested slowly, over a few days perhaps. At once beautiful and urgent, they deserve a little extra attention. The chorus of their voices deserves to be heard.
The Teeth of the Comb & And Other Stories by Osama Alomar is translated from Arabic by C J Collins with the author, and published by New Directions.
2 thoughts on “Ancient sorrows, modern woes: The Teeth of the Comb & Other Stories by Osama Alomar”
Definitely sounds like a collection to take in small portions. I love short pieces – some of my favourite Richard Brautigan works are short and poetic, and the recent M. John Harrison also featured some wonderful flash pieces.
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Yes, this type of collection is deceptively easy to speed through, but reading a handful of stories at a time has greater impact. It is very much in the vein of traditional parables, but with some modern elements.
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