As I write this, it is World Book Day, April 23, 2022 and it seems the perfect time to call attention to a man who has dedicated his life to making important, challenging books available to eager readers and celebrating the book itself as a work of art, an object as delightful to look at and hold as it is to read. And now, that man, Naveen Kishore, the founder of Seagull Books, has a book of his own, Knotted Grief—a collection of piercing, spare poems that turns its attention to sorrow and anguish as experienced in both national and intimate spaces.
Poetry is, for Kishore, as I understand it, the product of a daily practice of writing—of putting words to the page every day, regardless of available time or present situation. As a friend, it is a discipline he has recommended to me, rather insistently in fact, but I fear I fell off the page some time ago and am only just climbing back on. His poetry has also been shared with those around him, appearing online here and there, even arriving on occasion in my own email inbox. One could even say that poetry tends to inform and permeate his prose and his speech—as if it has become, not a vocation or an exercise so much as a way of being in the world.
Knotted Grief, coalesces around “Kashmiriyat,” an extended cycle inspired by the devastating events in Kashmir in recent years. Across 105 spare verses Kishore paints a pained portrait of violence, misery and loss. The flickering light of candles, personified shadows, cold winter winds, bloodied earth, strangled silence—images of war fold in on one another, frozen by the photographer-poet’s eye and trimmed to their bare essentials, then revisited again and again.
in a sky
of bullet wounds
Most of the verses are short, a handful of lines, but midway through the sequence—50, 52, 55—stretch out, with anger and desperation rising:
elsewhere the echoes
of a candle flame muffled
by fingers that knew no pain
the stone floor
beginning to feel the cold
as bare footsteps walked over its grave
like a whisper
the angel gliding past
its silhouette fighting shy of the firelight
on a clear and blue sky is heard
the song of the winter wind
utterly and completely silent
a child’s memory of the future? (from 55)
Sadly, armed conflict and occupation are not unique to any one place or time and to read this poem as war rages in Ukraine and elsewhere, the words are not in any way diluted. Rather they dig deeper, strike closer to the core. In the following sequence, “Street Full of Widows” the painful universality of the human cost of war strikes hard:
Go gather the flowers for the wreaths
go from door to door
. sheets for the shrouds
there is no time to grieve
When, then, we might ask, is the time to grieve? Grief is a fundamental part of life and living, complex and compounded as we grow older, and this theme in its more intimate sense guides the balance of the poems in this collection. The weight of sorrow is, at times, heavy, and Kashmir still lingers in the shadows, while the interplay of memory, dreams and desires carry the later pieces in a more fanciful and uplifting direction. Throughout, an unmistakable energy lifts and carries the poetry, rising and falling in mood and intensity, the weight and balance of each line carefully measured. One might imagine that the poet’s background in stage lighting serves him well. Certainly Naveen Kishore’s deep association with theatre, literature and photography stretching back over more than four decades fuels this moving debut.
Writing about books these past few years has opened for me a network of independent publishers I might never have encountered had I continued to let the literary bestseller lists guide my fortunes. It is, I suppose, one of the small gifts of having to leave my profession earlier than planned. I bought my first Seagull Book in 2015 and made my first pilgrimage to Calcutta in 2018. I’ve been back to the city once but hope that, if all goes well—as the world conspires against us daily—I will be able to visit Naveen and the rest of the Seagull family on this, the fortieth anniversary year of operations for a publisher that believes in the power and beauty of literature.
Knotted Grief by Naveen Kishore is published in India by Speaking Tiger and in Australia by Gazebo Books